Here we usually want a fat, bass-heavy punch from the low frequencies in combination with a driving kick from the mids. The complexity lies in the fact that the drum kit is basically a group of different instruments that have to work together. Also looks for disturbing room resonances in the track and lower the affected frequencies. And you make parts of the track or the whole track louder, in a way you take away the air to breathe (keyword: dynamic limit). Because if you raise the frequencies, you change the sound and character significantly (which can also be intentional). The general rule: if you want something to sound better, you should rather lower the frequencies. So for warmer vocals you should cut the highs instead of boosting the lows. But beware!īetter to lower/cut than to raise/boost. A rule of thumb just to be safe: after the compressor, not before! You can also use the frequencies between 3 and 6 kHz for the opposite: If the vocals sound harsh, spiked, or shrill, lower it. If your vocal recording needs more of that, try a broad boost of approx.
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